Scott Lord Nya Erotiska Roman. Svenska erotik film litteratur. Karleck and Sexfansier- Orgasmer

Scott Lord: Donna gave me all six Inner Sanctum films

Scott Lord: Donna gave me all six Inner Sanctum films

2012-01-10T19:24:00.000-08:00

Lord

2011-12-07T15:45:00.000-08:00

7 - Vintage original swedish movieposters titles S - Z

2011-11-26T17:17:00.000-08:00

6 - Vintage original swedish movieposters titles O- R

2011-11-26T17:15:00.000-08:00

5 - Vintage original swedish movieposters titles K - N

2011-11-26T17:13:00.000-08:00

4 - Vintage original swedish movieposters titles G - J

2011-11-26T17:11:00.000-08:00

3 - Vintage original swedish movieposters titles E -F

2011-11-26T17:08:00.000-08:00

<a href="http://scottlordsfi.blogspot.com">Scott Lord</a>

2 - Vintage original swedish movieposter titles D

2011-11-26T17:07:00.000-08:00

1 - Vintage original swedish movieposters titles A - C

2011-11-26T17:06:00.000-08:00

Scott Lord Svenska Filminstitutet 2011: Scott Lord- Svenska Filminstitutet and Svenska Filmhistoria

Scott Lord Svenska Filminstitutet 2011: Scott Lord- Svenska Filminstitutet and Svenska Filmhistoria

2011-11-26T16:48:00.000-08:00

Google Reader - "Erotik" via Scott

2011-11-25T19:24:00.000-08:00

Google Reader - "Erotik" via Scott

The Mark of Zorro (1920)

2011-11-18T17:30:00.000-08:00

The Mark of Zorro (1920)

Robin Hood (1922)

2011-11-18T17:28:00.000-08:00

Robin Hood (1922)

Google Reader - "swedishfilminstitute Scott Lord" via scottlord

2011-11-05T11:31:00.000-07:00

Google Reader - "swedishfilminstitute Scott Lord" via scottlord

Scott Lord Castle Films 8mm

2011-10-26T19:37:00.000-07:00

('http://www.youtube.com/p/3CE2E08B5A78BA11?version=3&hl=en_US',)

Scott Lord: Old Ironsides- Literary and Art: Scott Lord- Old Ironsides: Literary, Art Issue Nu...

2011-10-25T19:33:00.000-07:00

Scott Lord: Old Ironsides- Literary and Art: Scott Lord- Old Ironsides: Literary, Art Issue Nu...: I lack a regular poetry reading and when I saw that I could add my You Tube videos easily without downloading I thought that a daily film ...

Scott Lord: Donna:Romantic Evening together

2011-10-08T19:09:00.000-07:00

Scott Lord: Donna:Romantic Evening together: I'm in a coffee shop: the last time I was here, Donna bought me coffee. Last night we took another shower together: I walked her backwards i...

Scott Lord: Scott Lord

2011-09-07T14:15:00.000-07:00

Scott Lord: Scott Lord

Scott Lord: Donna and I: Sunset on Good Harbor Beach, Gloucest...

2011-09-06T22:16:00.000-07:00

Scott Lord: Donna and I: Sunset on Good Harbor Beach, Gloucest...: "I like it when you call me 'dear'." Right at sunset, Donna and I walked the length of Good Harbor. We were virtually the only ones on th...

Scott Lord Svenska Filminstitutet 2011: Scott Lord- Svenska Filminstitutet and Svenska Filmhistoria

2011-09-03T01:21:00.000-07:00

Scott Lord Svenska Filminstitutet 2011: Scott Lord- Svenska Filminstitutet and Svenska Filmhistoria

Scott Lord Svenska Filminstitutet 2011: Scott Lord :The Abyss (Urban Gad,Afgrunden, Denmar...

2011-08-18T20:37:00.000-07:00

Scott Lord Svenska Filminstitutet 2011: Scott Lord :The Abyss (Urban Gad,Afgrunden, Denmar...: Please enjoy my first screening of the Danish Silent Film The Abyss, starring Asta Nielsen.

Scott Lord

Scott Lord Google Reader - Scott's shared items

2011-08-11T09:02:00.000-07:00

Google Reader - Scott's shared items

2011-08-11T08:53:00.000-07:00

Google Reader - Scott's shared items

2011-08-11T08:46:00.000-07:00

Google Reader - Scott's shared items

Scott Lord Sherlock Holmes-Gothic Mystery: Scott Lord Mystery-Love from a Stranger with Basil...

2011-07-21T17:32:00.000-07:00

Scott Lord Sherlock Holmes-Gothic Mystery: Scott Lord Mystery-Love from a Stranger with Basil...

Scott Lord:Mr Wong in Chinatown

2011-07-20T21:50:00.000-07:00

‪ScottLordnovelist's Channel‬‏ - YouTube

2011-07-19T08:16:00.000-07:00

‪ScottLordnovelist's Channel‬‏ - YouTube

Google Custom Search - Scott Lord Swedish Film

2011-07-06T20:07:00.000-07:00

Google Custom Search - Scott Lord Swedish Film

Scott Lord Svenska Filminstitutet 2011: Scott Lord and Girlfriend:Boston skyline from Donn...

2011-07-06T19:49:00.000-07:00

Scott Lord Svenska Filminstitutet 2011: Scott Lord and Girlfriend:Boston skyline from Donn...: "Scott Lord"

Scott Lord: Scott Lord and Girlfriend:Boston skyline from Donn...

2011-07-06T18:50:00.000-07:00

Scott Lord: Scott Lord and Girlfriend:Boston skyline from Donn...: "Donna and I spent four nights together. Tonight she bought dinner. During the four days together we went for scenic cabrides, which was ni..."

Scott Lord and Girlfriend:Boston skyline from Donna's Cambridge terrace,...

2011-07-06T18:42:00.000-07:00

Scott Lord: Boston skyline from Donna's Cambridge terrace,webcam video J...

2011-07-06T11:32:00.000-07:00

Scott Lord:Boston skyline from Donna's Cambridge terrace webcam video Ju...

2011-07-06T10:54:00.000-07:00

Scott Lord:Boston skyline from Donna's Cambridge terrace webcam video Ju...

2011-07-06T10:53:00.000-07:00

Scott Lord: Having an affair with 'Dana Lynn'

2011-07-03T20:52:00.000-07:00

Scott Lord: Having an affair with 'Dana Lynn': "She showed me her published writing last night, which was from an old Boston University journal, The Experience of Recovery. It is un..."

Scott Lord: Boris Karloff in The Mystery of Mr Wong

2011-07-03T13:15:00.000-07:00

Scott Lord Swedish Silent Film

2011-06-26T19:35:00.000-07:00

Scott Lord-Mr Wong Detective starring Boris Karloff

2011-06-22T20:35:00.000-07:00

Scott Lord-Mr Wong Detective starring Boris Karloff

2011-06-22T20:32:00.000-07:00

Scott Lord: Having an affair with 'Dana Lynn'

2011-06-06T12:49:00.000-07:00

Scott Lord: Having an affair with 'Dana Lynn': "She showed me her published writing last night, which was from an old Boston University journal, The Experience of Recovery. It is un..."

Scott Lord: The beautiful Fay Wray in The Vampire Bat

2011-05-27T16:51:00.000-07:00

The Technique of the Photoplay

The Technique of the Photoplay

2011-05-26T11:26:00.000-07:00

ScottLordnovelist's webcam video test for weight lift abdomen torso

2011-05-22T21:11:00.002-07:00

ScottLordnovelist's webcam video test for weight lift abdomen torso

2011-05-22T21:11:00.001-07:00

ScottLordnovelist's webcam video test for weight lift abdomen torso

2011-05-22T21:11:00.000-07:00

ScottLordnovelist's webcam video test for weight lift abdomen torso

2011-05-22T21:10:00.000-07:00

Scott Lord: Looking and Waiting for Monica while there's still time-(I'm...

2011-05-21T18:32:00.000-07:00

Scott Lord Haxan (Witchcraft Through the Ages, Christenson,Sweden)

2011-05-17T23:15:00.000-07:00

Scott Lord Haxan (Witchcraft Through the Ages, Christenson,Sweden)

2011-05-17T23:12:00.004-07:00

Scott Lord Haxan (Witchcraft Through the Ages, Christenson,Sweden)

2011-05-17T23:12:00.003-07:00

Scott Lord Haxan (Witchcraft Through the Ages, Christenson,Sweden)

2011-05-17T23:12:00.002-07:00

Scott Lord Haxan (Witchcraft Through the Ages, Christenson,Sweden)

2011-05-17T23:12:00.001-07:00

Scott Lord Haxan (Witchcraft Through the Ages, Christenson,Sweden)

2011-05-17T23:12:00.000-07:00

Scott Lord: The beautiful Marion Marsh in Svengali (Mayo)

2011-05-16T23:36:00.000-07:00

Fototräffar

2011-05-14T16:06:00.000-07:00

Fototräffar

2011-05-14T16:05:00.000-07:00

Fototräffar

Första beachplåtningen

2011-05-14T16:03:00.000-07:00

Första beachplåtningen

a piece of lace

2011-05-14T15:59:00.000-07:00

a piece of lace

Fotosessioner

2011-05-14T15:54:00.000-07:00

Fotosessioner

2011-05-14T15:53:00.000-07:00

Fotosessioner

Katarina P. - Modell

2011-05-14T15:52:00.000-07:00

Katarina P. - Modell

Scott Lord: Sherlock Holmes Murder At The Baskervilles

2011-05-13T10:33:00.000-07:00

Scott Lord: Sherlock Holmes Speckled Band

2011-05-08T22:17:00.000-07:00

Scott Lord: Fay Wray in The Evil Mind

2011-05-08T12:58:00.000-07:00

Scott Lord The Triumph of Sherlock Holmes

2011-05-06T22:17:00.000-07:00

Scott Lord :Secret Agent (Hitchcock)

2011-05-06T14:52:00.000-07:00

Castle Film: Scott Lord Castle Film: The Mummy (1932)

Castle Film: Scott Lord Castle Film: The Mummy (1932)

2011-04-30T22:18:00.000-07:00

Castle Film: Scott Lord Castle Film: Dracula

2011-04-30T22:10:00.000-07:00

Castle Film: Scott Lord Castle Film: Dracula

Scott Lord

2011-04-30T21:31:00.000-07:00

2011-04-30T21:29:00.000-07:00

Scott Lord :Greta Garbo, Marie Liljedahl ,Ingmar Bergman, Victor Sjostrom - 1924.-.He.Who.Gets.Slapped.-.Victor.Sjostrom

Scott Lord :Greta Garbo, Marie Liljedahl ,Ingmar Bergman, Victor Sjostrom - 1924.-.He.Who.Gets.Slapped.-.Victor.Sjostrom

2011-04-28T14:27:00.000-07:00

Scott Lord Blackmail (Hitchcock, 1929)

2011-04-27T23:33:00.000-07:00

Scott Lord -Jane Eyre (Monogram)

2011-04-27T00:03:00.000-07:00

Scott Lord -Jane Eyre (Monogram)

2011-04-26T23:56:00.001-07:00

Scott Lord -Jane Eyre (Monogram)

2011-04-26T23:56:00.000-07:00

Scott Lord Swedish Film Hon Dansade En Sommar (Arne Mattsson)

2011-04-24T17:20:00.002-07:00

Please wait 44 seconds for the film to begin.

Scott Lord

Scott Lord Swedish Film Hon Dansade En Sommar (Arne Mattsson)

2011-04-24T17:20:00.001-07:00

Please wait 44 seconds for the film to begin.

Scott Lord

Scott Lord Swedish Film Hon Dansade En Sommar (Arne Mattsson)

2011-04-24T17:20:00.000-07:00

Please wait 44 seconds for the film to begin.

Scott Lord

Scott Lord Mystery-Love from a Stranger with Basil Rathbone

2011-04-24T14:46:00.000-07:00

Svenska Filmhistoria Swedish Silent Film Silent films are creepy)

2011-04-23T19:55:00.002-07:00

Scott Lord Silent Film

Svenska Filmhistoria Swedish Silent Film Silent films are creepy)

2011-04-23T19:55:00.001-07:00

Scott Lord Silent Film

Svenska Filmhistoria Swedish Silent Film Silent films are creepy)

2011-04-23T19:55:00.000-07:00

Scott Lord Silent Film

Scott Lord The Moonstone

2011-04-21T22:28:00.000-07:00

Scott Lord Sherlock Holmes Fatal Hour

2011-04-21T22:26:00.000-07:00

scottlord- Swedish Film and the Svenska Filminstit: Scott Lord ...

Scott Lord Sherlock Holmes Fatal Hour

2011-04-18T01:39:00.000-07:00

Pink Pussy Posse den lilla sexbloggen med porr och sexnoveller: lesbiskt fittslick

2011-03-23T03:14:00.000-07:00

Pink Pussy Posse den lilla sexbloggen med porr och sexnoveller: lesbiskt fittslick: "Något jag alltid velat prova är att tillfredställa en annan kvinna med min tunga. Smaka, hur det känns med klittan i munnen, mot n, att glid..."

Re: Scott Lord erotic novel Fwd: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated

2011-03-16T21:16:00.000-07:00

On Wed, Mar 16, 2011 at 1:37 PM, Scott Lord <scottlordnovelist@gmail.com> wrote:

---------- Forwarded message ----------
From: scottlordnovel <noreply@google.com>
Date: Wed, Mar 16, 2011 at 1:34 PM
Subject: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated
To: scottlordnovelist@gmail.com

Scott Lord updated the page Inga's Veil, Evening erotic novel, film poem page five. View the changes below.
Color key: Insertion | Deletion

     Within the syntax of the film, the camera pans down, not solemly, or dolefully, but very slowly as though reserved, as though it could contruct a way to be seen by her, lavishing its downward plunge upon her stillness waiting for her figure to elegantly, almost thoughtfully, vary its postition and it being to no avail in that if she were to be seen in movement it would not be by a camera she could acknowlege having seen, it now a camera reluctant to release her glance as she remained unaware of its vigilance, it as though paradoxical it being that she was waiting for him, waiting to be seen by him, that she felt watched by him while waiting, that she longed for it, in supplication that she be watched by him, that, with her body, she articulated the desire to be watched by him, the desire of it as an inevitability. Now that she has undressed, the sense of expectation has shifted from the attraction of her becoming nude, no matter how quickly, to a dialouge that rather than only having the possiblility of adding to plotline, in being interior monolouge and retrospective narrative, it now carrying it, the camera not only authorial in its movement, but also in its editing and its editing for narrative effect in that the romantic becomes erotic suspence as the scenes are interwoven thematiclly, as her desire becomes increasingly romantic. Erotic availability has opened as a prefiguration of an enlightenment, as though she were seeking a path to sexual reawakenings only to reaquaint herself with their stirrings. And yet, as speaking subject that conveys both the imaginary and the imagined, her astonishment at her own desire can only be sensed, it belonging to her inner life, it being an astonishement that would only intensify, a a freeing of sexual liscence, a personalization of the ideals of femininity.

     On film, her body pivoted again during the shot, slowly and slightly toward the camera. The bottom of the frameline gradually lowers before cutting to its reverse angle to begin the pan over from below her breasts to below her omphalos, as though it were trying to hover from her bellybutton to the top horizon line of where her pubic hair began without noticebly pushing in to simultaneously zoom or without privoting into a prolonged circular pan, which it then unexpectedly does untill bringing the shot to where it could cut to its original frameline and begin panning down again from below her breasts. Temporally it is a double filming, or reframing, of the same moment while spatially it is the same action from another angle, a duplicate from another vantage point.

     Her screen direction as figure in movement, in that she has not yet decided to retrace her steps, has established spatial positions in relation, relations not entirely angular, relations not entirely undecided upon by the speed of action and the theatrical pauses on her part before her beginning to cross the set toward the camera. As there is similarity of metaphor, contiguity of metronomy, the possible absence of her reversing screen direction during the scene brings a right to left continuity, although she soon will be to the left of the screen where it seems likely that she will cross one quarter of the width of the screen to the left.

     At that moment, she was thinking of a particular afternoon when she had ran up to him flustered, not lachrymal, but near speachless, and yet to contrast, she was simultaneously remembering an earlier, less excited time when the two had first met, when she may have been looking down at her feet trying to make him notice her legs, the curve of her blue jeans where her hemline would have been, it in comparision having been being a more exhilarating time although she had been coolly at his shoulder, nearing him slowly in calculated motion, there having been something she had wanted to tell him. The voice over retrospective used on screen positions dimension with her nudity, her hurriedly having said, "I don't know what to do. I know that you're going to say, 'I love you.'"

     Could it be asked if there was some reason he had not yet either arrived or yet telephoned, or whether she was going to meet him somewhere later, seemingly, but not necessarily, that being not untill breakfast the next morning?

     The line of dialouge is used in variation during the second scene of the film during the shot-counter-shot dialougue sequences, her lover referring to the conversation by his saying, "Everytime you ask me to I will." to which she replies, "Hurry." as to intentionally remind him of their having been together.

     The camera presently pans up slightly faster than the previous shot for half the distance of the height of the shot, untill the bottom of the frame replaces the horizontal center of the shot. Her thoughts flirt with remembering what he had said on several specific, particular occasions and flirt back and forth between her preference to avoid fantasizing about what they hadn't said to each her, it being casual on her part that she would shrug erotic fantasies off almost as quickly as the came and convince herself that it was more romantic to keep her interaction with him a sentimental, therefore more accurate quickening of memory, and between what she would want to say to him the next time they would see each other, not like he would as though it almost were similar to it being necessary to save a planned shot in a game of pool or billiards and or anticipating his next move after nearly opening with the knight in hope of quickly bringing it back toward the queen, but more in a sense of her know to herself that could be inquired about by him that could create their being together simultaneously, in that he was someone she thought she couldn't know but did. Whether or not his voice is used in the film, it is in juxtaposition to the camera panning up, but only because she has every desire that it would be, that it is something that later collapses and something that makes her desire that things happen faster, that whatever could be watching her when as nudity increase it speed smoothly, "Including being a sentence with this part of speech, had you said including. I need you."

     There is an orientation of space as erotic spontaneity and as erotic aquiescence as the camera waits to accomaodate her each and every movement. The soft flesh of the oval of the inside of her thighs is only hinted at within the shot. The areas lof her body that tare followed by the viewfinder within the frameline are contiguous, as are the spaces through which she moves. There is a mobility of frame from the panning, the specator positioned by the continuity of form to the individual images and spaces not only untill the camera begins tracking during the shot, but later with each difference of angle and distance as it is following her, whether its movemnts are obtrusive or not whether they are imperceptible or not. It holds briefly, almost out of necessity during another abrupt inclusion of a retrospective voice over narrative: within its autonomy, it is almost questioning and yet, in that she has not spoken during the entire scene, the effect of each instance of sound being a break from the silence is different than it will later be when she finally brings it into the development of the scene's plot, whether it is her making a telephone call or her going to the door in her bathrobe to greet him after he has let himself in, if in fact she is not in fact nude in bed, or in the shower when he arrives. In that the voice overs are non-diegetic, they are placed within the editing arbitrarily and have a specific effect aestheticly that is not contingent upon the action of the scene, but rather the director's editing. The sounds used in the film to this point are minimal, objects seperated from her touch by the spaces between her and them.

     "It's only a cough drop. I wanted to kiss you and don't like menthol or peppermint."

     "A coughdrop?", her tone being that of suprise. "I wouldn't have thought of that. You talked me into it."

YouTube Video

Inga's Veil, Evening erotic novel, film poem revision copyright

Inga's Veil, Evening erotic novel, film poem

Inga's Veil, Evening page three

Inga's Veil, Evening, erotic novel, film poem page four

http://scottlordnovelist.blogspot.com

Go to page: Inga's Veil, Evening erotic novel, film poem page five

-------------
You requested this notification from Google Sites. You can unsubscribe at any time.
Don't want to get notification of your own changes? Change your settings.

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

--
You received this message because you are subscribed to the Google
Groups "scottlord" group.

<a href="http://scottlordnovelist.blogspot.com">scottlord</a>

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

Fwd: [Scott Lord Swedish Film] Fwd: [Scott Lord Swedish Film] Fwd: Scott Lord erot...

2011-03-16T21:11:00.000-07:00

---------- Forwarded message ----------
From: Blogger <no-reply@blogger.com>
Date: Wed, Mar 16, 2011 at 7:11 AM
Subject: [Scott Lord Swedish Film] Fwd: [Scott Lord Swedish Film] Fwd: Scott Lord erot...
To: scottlordnovelist@gmail.com

---------- Forwarded message ----------
From: Blogger <no-reply@blogger.com>
Date: Sun, Mar 13, 2011 at 7:55 PM
Subject: [Scott Lord Swedish Film] Fwd: Scott Lord erotic novel Fwd: [Scott Lord Swedi...
To: scottlordnovelist@gmail.com

---------- Forwarded message ----------
From: Scott Lord <scottlordnovelist@gmail.com>
Date: Sat, Mar 12, 2011 at 5:10 PM
Subject: Scott Lord erotic novel Fwd: [Scott Lord Swedish Film] Fwd: [Scott Lord Swedish Film] Scott Lord, Erotic N...
To: Scott Lord Svensk Filmhistoria <scottlordgoogle.silentfilm@blogger.com>, Scott Lord Svensk Filmhistoria <scottlordgoogle.swedish@blogger.com>, Scott Lord Svensk Filmhistoria <scottlord.silentfilm@blogger.com>, Scott Lord Svensk Filmhistoria <scottlordgoogle.gretagarbo@blogger.com>, Scott Lord Svensk Filmhistoria <scottlordgoogle.silentgarbo@blogger.com>, Scott Lord Svensk Filmhistoria <scottlord.svenskfilmhistoria@blogger.com>, Scott Lord Svensk Filmhistoria <scottlord.gretagarbo@blogger.com>, scottlord <kerryscott@scottlord.multiply.com>, Scott Lord Svensk Filmhistoria <scottlordnovelist.inga@blogger.com>, Scott Lord Svensk Filmhistoria <scottlordnovelist.scottlord@blogger.com>, Scott Lord google groups <scottlord@googlegroups.com>, Scott Lord Svensk Filmhistoria <scottlordnovelist@blogger.com>

---------- Forwarded message ----------
From: Blogger <no-reply@blogger.com>
Date: Sat, Mar 12, 2011 at 10:32 AM
Subject: [Scott Lord Swedish Film] Fwd: [Scott Lord Swedish Film] Scott Lord, Erotic N...
To: scottlordnovelist@gmail.com

---------- Forwarded message ----------
From: Blogger <no-reply@blogger.com>
Date: Sat, Mar 12, 2011 at 2:55 AM
Subject: [Scott Lord Swedish Film] Scott Lord, Erotic Novel (scottlordgoogle.swedish@b...
To: scottlordnovelist@gmail.com

Scott Lord, Erotic Novel

scottlord-swedish-silent-film-swicki, svenskafilminstitutet, svenska, swedish, svenskafilmhistoria, swedishfilminstitute, for:@twitter, delicious-export

scottlorderoticnovel inurl:sites - Google Search

scottlord-swedish-silent-film-swicki, svenskafilmhistoria, swedish, svenskafilminstitutet, greta-garbo-swicki, scottlord, SvenskFilmhistoria, delicious-export

Search results - scottlordnovel

imported, Bookmarks_bar, scottlord, svenskafilminstitutet, svenskafilmhistoria, scottlord-swedish-silent-film-swicki, delicious-export

Scott Lord: Sunday, May 24, 2009

Swedish+Film, SvenskFilmindustri, SvenskFilmhistoria, Svenska, Scott Lord, Scott_Lord

Scott Lord: Fwd: [scottlordnovel] Inga's Veil, Evening film poem novel page eight was created

Scott Lord, Inga, Erotic Novel, Scott Lord Erotic Novel

Google Reader - "Erotic Film Scott Lord" via Scott

Scott Lord, Scott Lord Erotic Novel, Scott_Lord

Google Reader - Scott's starred items

Scott Lord, Scott Lord Erotic Novel, Scandinavian+Actress, FILM

Google Reader - "erotic novel Scott Lord" via Scott

Scott Lord, Scott Lord Erotic Novel

Google Reader - "Fotomodell Scott Lord" via Scott

Erotic Novel, Scott_Lord, Scott Lord

Google Reader - "Inga Scott Lord" via Scott

Scott Lord, Scott Lord Erotic Novel, Scott_Lord

Google Reader - "Inga Scott Lord" via Scott

Scott Lord, Scott Lord Erotic Novel, Scott_Lord

Google Reader - "Modern Swedish Film" via Scott

Scott Lord, Scott Lord Erotic Novel, Scott_Lord

Google Reader - "Nudisten Scott Lord" via Scott

Scott Lord, Scott Lord Erotic Novel, Scott_Lord

YouTube - ScottLordnovelist's Channel

Scott Lord

YouTube - An Erotic Trailer, written by Scott Lord sensual webcam edit

Scott Lord, Scott_Lord

Google Reader - Uploads by ScottLordnovelist

Scott Lord

YouTube - ScottLordnovelist's Channel

Scott Lord

Scott Lord Inga's Veil, Evening Nya erotiska roman. Svesnska erotik Film och erotik litteratur:

Scott Lord, Scott_Lord

Scott Lord: Mem 201 and the discreet woment of college phone sex

MarieLiljedahlSwedishFilm, MarieLiljedahl, MarieLiljedahlSwedishFilmInga, modern-swedish-film-swicki, MarieLiljedahlSwedishFilmSeductionofInga, MarieLiljedahlSwedishEroticFilm, modernswedishfilmEroticSwedishFilm, modernswedishfilmscottlord, for:@twitter, delicious-export

Buzz by Scott Lord from Posted from the web

Film, GretaGarbo, Filminstitutet, scottlord, Garbo, SwedishFilmInstitute, Svenska, for:@twitter, delicious-export

scottlord- Swedish Film and the Svenska Filminstit: Scott Lord ...

scottlord, swedishfilm, svenska, swedish, swedishfilminstitute, scottlord-swedish-silent-film-swicki, for:@twitter, delicious-export

Scott Lord: Butterflies - 1974 - Joseph W. Sarno

scottlord-swedish-silent-film-swicki, svenskafilmhistoria, swedish, swedishfilm, for:@twitter, delicious-export

The Memorial Hall Murder: Postscript

scottlord, SvenskaBiografteatern, svenskafilmhistoria, SvenskFilmhistoria, svenskafilminstitutet, for:@twitter, delicious-export

Bloglovin search scottlordnovelist on English

imported, scottlord, svenskafilminstitutet, svenskafilmhistoria, scottlord-swedish-silent-film-swicki, delicious-export

scottlord Inga's Veil, Evening erotic novel: Scott Lord Erotic Film Poem Novel

imported, Bookmarks_Bar, for:@twitter, scottlord-swedish-silent-film-swicki, scottlord, svenskafilminstitutet, swedishfilminstitute, delicious-export

imported, Bookmarks_Bar, scottlord-swedish-silent-film-swicki, swedish, scottlord--ingmar-bergman-swicki, delicious-export

YouTube - Scott Lord written by

Scott Lord

scottlord-swedish-silent-film-swicki, swedish, scottlord, scottlord--ingmar-bergman-swicki, scottlordSvenskaFilminstitutet, delicious-export

YouTube - written by Scott Lord Sunday Morning Megan webcam edit

Scott Lord

scottlord-swedish-silent-film-swicki, scottlord, Scott, Lord, film, filminstitutet, scottlord--ingmar-bergman-swicki, IngmarBergmanSvenskaFilminstitutet, EvaDahlbeckIngmarBergman, ClarenceBrown, AseKleveland, HasseEkman, CissiElwin, MarieLiljedahlSwedishFilm, gretagarbo, garbo, greta-garbo-swicki, GretaGarboSwedishFilm, greta, swedish, Bookmarks, BoWiderberg, DanishFilmInstitute, NorwegianFilmInstitute, EdithErastoffSwedishSilentFilm, VICTOR+SJOSTROM, victorsjostrom, RagnarRing, women-in-film, women-in-film-site, JohnWBrunius, KarinSwanstrom, delicious-export

Scott lord

Scott Lord, scottlord

Scott Lord Svenska Filminstitutet 2011

The Fogg Art Museum Murder- new development

scottlord, scottlord Scott Lord L

Fwd: ScottLordnovelist just uploaded a video

Scott Lord, scottlord, scottlord Scott Lord L

YouTube - An Erotic Trailer written by Scott Lord, appendix

Scott Lord, Erotic Film, written by Scott Lord

Scott Lord, scottlord Scott Lord L, scottlord, scottlordmodern

YouTube - Wednesday Amber in Worship written by Scott Lord

Scott Lord, scottlord Scott Lord L, written by Scott Lord

YouTube - written by Scott Lord Sunday Morning Megan webcam edit

Scott Lord

Scott Lord, written by Scott Lord, scottlord Scott Lord L, scottlord

Scott Lord Nya Erotiska Roman. Svenska erotik film litteratur. Karleck and Sexfansier- Orgasmer

Scott Lord, scottlord

An Erotic Trailer, reel two written by Scott Lord,

Scott Lord, scottlord

YouTube - An Erotic Trailer, written by Scott Lord

Scott Lord, scottlord, Castle Films, Erotic, Erotic Novel

YouTube - An Erotic Trailer, Written by Scott Lord

Scott Lord, scottlord, Erotic Novel, Castle Films

Scott Lord - Google Profile

Sc ott Lord Erotic Film Poem appendix - scottlordnovel

scottlord Inga's Veil, Evening erotic novel: TYRAS KONSTNÃ„RLIGA BILDER. Cool cover photo for Inga's

Scott Lord, Scott Lord Erotic, scottlord

Scott Lord 2011: Eugenie... the Story of Her Journey Into Perversion -- Such to Die For

Marie Liljedahl

scottlord Inga's Veil, Evening erotic novel: Modern Swedish Film Svensk Filmhistoria- Bergman,

Scott Lord: Scott Lord-new photos of me- looking for college poetess

scottlord, Scott Lord

This is he: What I look like - Swedish film and the svenska filminstitutet

scottlord, Scott Lord

Inga's Veil, Evening film poem novel page seven - scottlordnovel

Scott Lord, scottlord

Recent site activity - scottlordnovel

scottlord, Scott Lord

Scott Lord: Scott Lord Ung Nakenmodell blondin brunett

search label Nakenmodell blondin brunett

Scott Lord: Scott Lord Nude Glamour

scottlord, Scott Lord, search label Nude Glamour

Buzz by Scott Lord from Posted from the web

Scott Lord, scottlord

scottlord Inga's Veil, Evening erotic novel: Modern Swedish Film Svensk Filmhistoria- Bergman,

Scott Lord, scottlord, Modern Swedish Film

Scott Lord more:scott_lord - Google Search

Scott Lord, scottlord

Scott Lord Inga - SÃ¶k pÃ¥ Google

Scott Lord, scottlord

Scott Lord more:ung_lesbiska - Google Search

Ung Lesbiska, Swedish Lesbian, Scott Lord, scottlord

Scott Lord: 10/17/10 - 10/24/10

scottlord, Scott Lord, Marie Liljedahl

scottlord Inga's Veil, Evening erotic novel: Stort sug efter sexnoveller bland svenska kvinnor

phone sex, Scott Lord, scottlord, ung kvinna

scottlord- Swedish Film and the Svenska Filminstitutet - New Photos of me in Sweden - HyperBlogs.net

scottlord, Scott Lord, Scott Lord Erotic Novel

scottlord- Swedish Film and the Svenska Filminstitutet - The World Was Not Enough- Is Love Ever Free

Scott Lord, scottlord, Scott Lord Erotic Novel

scottlord- Swedish Film and the Svenska Filminstitutet - New Photos of me in Sweden - HyperBlogs.net

scottlord, Scott Lord, Scott Lord Erotic Novel Poetry Film

scottlord- Swedish Film and the Svenska Filminstitutet - The World Was Not Enough- Is Love Ever Free

scottlord, Scott Lord, Scott Lord Erotic Novel Poetry Film

Sexbloggen Inga's veil Evening-Scott Lord

Silent Film: Scott Lord, Erotic Novel

Scott Lord, Erotic film

scottlord- Swedish Film and the Svenska Filminstitutet - The World Was Not Enough- Is Love Ever Free

What would you do if you were Croft in Love with Bond.

Scott Lord, Sexbloggen, Love, Sexfantasier

Google Reader - scottlord Erotic Film Novel

Scott Lord, Erotic Film

Google Custom Search - Scott Lord- Angel of Darkness

Scott Lord Google

Scott Lord

Scott Lord, scottlord

scottlord, Scott Lord, Scott Lord Erotic Novel Poetry Film, Scott Lord

http://scottlordnovelist.blogspot.com/2010_10_24_archive.html

scottlord, Scott Lord, Scott Lord Erotic Novel Poetry Film, Scott Lord

scottlord, Scott Lord, Scott Lord Erotic Novel Poetry Film, Scott Lord

Scott Lord rss

Scott Lord, scottlord

Scott Lord rss

...

[Message clipped]

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

Fwd: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated

2011-03-16T11:56:00.000-07:00

---------- Forwarded message ----------
From: scottlordnovel <noreply@google.com>
Date: Wed, Mar 16, 2011 at 2:54 PM
Subject: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated
To: scottlordnovelist@gmail.com

Scott Lord updated the page Inga's Veil, Evening erotic novel, film poem page five. View the changes below.

Color key: Insertion | Deletion

Within the syntax of the film, the camera pans down, not solemly, or dolefully, but very slowly as though reserved, as though it could contruct a way to be seen by her, lavishing its downward plunge upon her stillness waiting for her figure to elegantly, almost thoughtfully, vary its postition and it being to no avail in that if she were to be seen in movement it would not be by a camera she could acknowlege having seen, it now a camera reluctant to release her glance as she remained unaware of its vigilance, it as though paradoxical it being that she was waiting for him, waiting to be seen by him, that she felt watched by him while waiting, that she longed for it, in supplication that she be watched by him, that, with her body, she articulated the desire to be watched by him, the desire of it as an inevitability. Now that she has undressed, the sense of expectation has shifted from the attraction of her becoming nude, no matter how quickly, to a dialouge that rather than only having the possiblility of adding to plotline, in being interior monolouge and retrospective narrative, it now carrying it, the camera not only authorial in its movement, but also in its editing and its editing for narrative effect in that the romantic becomes erotic suspence as the scenes are interwoven thematiclly, as her desire becomes increasingly romantic. Erotic availability has opened as a prefiguration of an enlightenment, as though she were seeking a path to sexual reawakenings only to reaquaint herself with their stirrings. And yet, as speaking subject that conveys both the imaginary and the imagined, her astonishment at her own desire can only be sensed, it belonging to her inner life, it being an astonishement that would only intensify, a a freeing of sexual liscence, a personalization of the ideals of femininity.

On film, her body pivoted again during the shot, slowly and slightly toward the camera. The bottom of the frameline gradually lowers before cutting to its reverse angle to begin the pan over from below her breasts to below her omphalos, as though it were trying to hover from her bellybutton to the top horizon line of where her pubic hair began without noticebly pushing in to simultaneously zoom or without privoting into a prolonged circular pan, which it then unexpectedly does untill bringing the shot to where it could cut to its original frameline and begin panning down again from below her breasts. Temporally it is a double filming, or reframing, of the same moment while spatially it is the same action from another angle, a duplicate from another vantage point.

Her screen direction as figure in movement, in that she has not yet decided to retrace her steps, has established spatial positions in relation, relations not entirely angular, relations not entirely undecided upon by the speed of action and the theatrical pauses on her part before her beginning to cross the set toward the camera. As there is similarity of metaphor, contiguity of metronomy, the possible absence of her reversing screen direction during the scene brings a right to left continuity, although she soon will be to the left of the screen where it seems likely that she will cross one quarter of the width of the screen to the left.

At that moment, she was thinking of a particular afternoon when she had ran up to him flustered, not lachrymal, but near speachless, and yet to contrast, she was simultaneously remembering an earlier, less excited time when the two had first met, when she may have been looking down at her feet trying to make him notice her legs, the curve of her blue jeans where her hemline would have been, it in comparision having been being a more exhilarating time although she had been coolly at his shoulder, nearing him slowly in calculated motion, there having been something she had wanted to tell him. The voice over retrospective used on screen positions dimension with her nudity, her hurriedly having said, "I don't know what to do. I know that you're going to say, 'I love you.'"

Could it be asked if there was some reason he had not yet either arrived or yet telephoned, or whether she was going to meet him somewhere later, seemingly, but not necessarily, that being not untill breakfast the next morning?

The line of dialouge is used in variation during the second scene of the film during the shot-counter-shot dialougue sequences, her lover referring to the conversation by his saying, "Everytime you ask me to I will." to which she replies, "Hurry." as to intentionally remind him of their having been together.

The camera presently pans up slightly faster than the previous shot for half the distance of the height of the shot, untill the bottom of the frame replaces the horizontal center of the shot. Her thoughts flirt with remembering what he had said on several specific, particular occasions and flirt back and forth between her preference to avoid fantasizing about what they hadn't said to each her, it being casual on her part that she would shrug erotic fantasies off almost as quickly as the came and convince herself that it was more romantic to keep her interaction with him a sentimental, therefore more accurate quickening of memory, and between what she would want to say to him the next time they would see each other, not like he would as though it almost were similar to it being necessary to save a planned shot in a game of pool or billiards and or anticipating his next move after nearly opening with the knight in hope of quickly bringing it back toward the queen, but more in a sense of her know to herself that could be inquired about by him that could create their being together simultaneously, in that he was someone she thought she couldn't know but did. She was as of yet unaware that he rarely still played either, and had almost vowed, if not arbitrarily, not to show her the cradling of a pinball, knowing that he would tire of it after she had seen it and that other things that could now seem more sacred, or more part of his acting out of devotion to her, could belong to the present, and that they were only similar as experience in being from experience, that there was a seriousness that had been quieted, a need to continue. The knight was near enough to the queen for him to dismiss wanting to play. Whether or not his voice is used in the film, it is in juxtaposition to the camera panning up, but only because she has every desire that it would be, that it is something that later collapses and something that makes her desire that things happen faster, that whatever could be watching her when as nudity increase it speed smoothly, "Including beginning a sentence with this part of speech, had you said including. I need you."

There is an orientation of space as erotic spontaneity and as erotic aquiescence as the camera waits to accomaodate her each and every movement. The soft flesh of the oval of the inside of her thighs is only hinted at within the shot. The areas lof her body that tare followed by the viewfinder within the frameline are contiguous, as are the spaces through which she moves. There is a mobility of frame from the panning, the specator positioned by the continuity of form to the individual images and spaces not only untill the camera begins tracking during the shot, but later with each difference of angle and distance as it is following her, whether its movemnts are obtrusive or not whether they are imperceptible or not. It holds briefly, almost out of necessity during another abrupt inclusion of a retrospective voice over narrative: within its autonomy, it is almost questioning and yet, in that she has not spoken during the entire scene, the effect of each instance of sound being a break from the silence is different than it will later be when she finally brings it into the development of the scene's plot, whether it is her making a telephone call or her going to the door in her bathrobe to greet him after he has let himself in, if in fact she is not in fact nude in bed, or in the shower when he arrives. In that the voice overs are non-diegetic, they are placed within the editing arbitrarily and have a specific effect aestheticly that is not contingent upon the action of the scene, but rather the director's editing. The sounds used in the film to this point are minimal, objects seperated from her touch by the spaces between her and them.

"It's only a cough drop. I wanted to kiss you and don't like menthol or peppermint."

"A coughdrop?", her tone being that of suprise. "I wouldn't have thought of that. You talked me into it."

YouTube Video

Inga's Veil, Evening erotic novel, film poem revision copyright

Inga's Veil, Evening, erotic novel, film poem page four

Inga's Veil, Evening erotic novel, film poem revision copyright

Go to page: Inga's Veil, Evening erotic novel, film poem page five

-------------
You requested this notification from Google Sites. You can unsubscribe at any time.
Don't want to get notification of your own changes? Change your settings.

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

Fwd: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated

2011-03-16T11:42:00.000-07:00

---------- Forwarded message ----------
From: scottlordnovel <noreply@google.com>
Date: Wed, Mar 16, 2011 at 2:39 PM
Subject: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated
To: scottlordnovelist@gmail.com

Scott Lord updated the page Inga's Veil, Evening erotic novel, film poem page five. View the changes below.

Color key: Insertion | Deletion

The camera presently pans up slightly faster than the previous shot for half the distance of the height of the shot, untill the bottom of the frame replaces the horizontal center of the shot. Her thoughts flirt with remembering what he had said on several specific, particular occasions and flirt back and forth between her preference to avoid fantasizing about what they hadn't said to each her, it being casual on her part that she would shrug erotic fantasies off almost as quickly as the came and convince herself that it was more romantic to keep her interaction with him a sentimental, therefore more accurate quickening of memory, and between what she would want to say to him the next time they would see each other, not like he would as though it almost were similar to it being necessary to save a planned shot in a game of pool or billiards and or anticipating his next move after nearly opening with the knight in hope of quickly bringing it back toward the queen, but more in a sense of her know to herself that could be inquired about by him that could create their being together simultaneously, in that he was someone she thought she couldn't know but did. She was as of yet unaware that he rarely still played either, and had almost vowed, if not arbitrarily, not to show her the cradling of a pinball, knowing that he would tire of it after she had seen it and that other things that could now seem more sacred, or more part of his acting out of devotion to her, could belong to the present, and that they were only similar as experience in being from experience, that there was a seriousness that had been quieted, a need to continue. The knight was near enough to the queen for him to dismiss wanting to play. Whether or not his voice is used in the film, it is in juxtaposition to the camera panning up, but only because she has every desire that it would be, that it is something that later collapses and something that makes her desire that things happen faster, that whatever could be watching her when as nudity increase it speed smoothly, "Including being a sentence with this part of speech, had you said including. I need you."

"It's only a cough drop. I wanted to kiss you and don't like menthol or peppermint."

"A coughdrop?", her tone being that of suprise. "I wouldn't have thought of that. You talked me into it."

YouTube Video

Inga's Veil, Evening, erotic novel, film poem page four

Inga's Veil, Evening erotic novel, film poem revision copyright

Go to page: Inga's Veil, Evening erotic novel, film poem page five

-------------
You requested this notification from Google Sites. You can unsubscribe at any time.
Don't want to get notification of your own changes? Change your settings.

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

Fwd: [Scott Lord Swedish Film] Fwd: [scottlordnovel] Inga's Veil, Evening erotic n...

2011-03-16T10:53:00.000-07:00

---------- Forwarded message ----------
From: Blogger <no-reply@blogger.com>
Date: Wed, Mar 16, 2011 at 1:38 PM
Subject: [Scott Lord Swedish Film] Fwd: [scottlordnovel] Inga's Veil, Evening erotic n...
To: scottlordnovelist@gmail.com

---------- Forwarded message ----------
From: scottlordnovel <noreply@google.com>
Date: Wed, Mar 16, 2011 at 1:34 PM
Subject: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated
To: scottlordnovelist@gmail.com

Scott Lord updated the page Inga's Veil, Evening erotic novel, film poem page five. View the changes below.

Color key: Insertion | Deletion

The camera presently pans up slightly faster than the previous shot for half the distance of the height of the shot, untill the bottom of the frame replaces the horizontal center of the shot. Her thoughts flirt with remembering what he had said on several specific, particular occasions and flirt back and forth between her preference to avoid fantasizing about what they hadn't said to each her, it being casual on her part that she would shrug erotic fantasies off almost as quickly as the came and convince herself that it was more romantic to keep her interaction with him a sentimental, therefore more accurate quickening of memory, and between what she would want to say to him the next time they would see each other, not like he would as though it almost were similar to it being necessary to save a planned shot in a game of pool or billiards and or anticipating his next move after nearly opening with the knight in hope of quickly bringing it back toward the queen, but more in a sense of her know to herself that could be inquired about by him that could create their being together simultaneously, in that he was someone she thought she couldn't know but did. Whether or not his voice is used in the film, it is in juxtaposition to the camera panning up, but only because she has every desire that it would be, that it is something that later collapses and something that makes her desire that things happen faster, that whatever could be watching her when as nudity increase it speed smoothly, "Including being a sentence with this part of speech, had you said including. I need you."

"It's only a cough drop. I wanted to kiss you and don't like menthol or peppermint."

"A coughdrop?", her tone being that of suprise. "I wouldn't have thought of that. You talked me into it."

YouTube Video

Inga's Veil, Evening, erotic novel, film poem page four

Inga's Veil, Evening erotic novel, film poem revision copyright

Go to page: Inga's Veil, Evening erotic novel, film poem page five

-------------
You requested this notification from Google Sites. You can unsubscribe at any time.
Don't want to get notification of your own changes? Change your settings.

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

--
Upplagd av Blogger på Scott Lord Swedish Film den 3/16/2011 10:37:00 fm

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

Fwd: [scottlordnovel] Inga's Veil, Evening erotic novel, film poem page five was updated

2011-03-16T10:37:00.000-07:00

Scott Lord updated the page Inga's Veil, Evening erotic novel, film poem page five. View the changes below.

Color key: Insertion | Deletion

The camera presently pans up slightly faster than the previous shot for half the distance of the height of the shot, untill the bottom of the frame replaces the horizontal center of the shot. Her thoughts flirt with remembering what he had said on several specific, particular occasions and flirt back and forth between her preference to avoid fantasizing about what they hadn't said to each her, it being casual on her part that she would shrug erotic fantasies off almost as quickly as the came and convince herself that it was more romantic to keep her interaction with him a sentimental, therefore more accurate quickening of memory, and between what she would want to say to him the next time they would see each other, not like he would as though it almost were similar to it being necessary to save a planned shot in a game of pool or billiards and or anticipating his next move after nearly opening with the knight in hope of quickly bringing it back toward the queen, but more in a sense of her know to herself that could be inquired about by him that could create their being together simultaneously, in that he was someone she thought she couldn't know but did. Whether or not his voice is used in the film, it is in juxtaposition to the camera panning up, but only because she has every desire that it would be, that it is something that later collapses and something that makes her desire that things happen faster, that whatever could be watching her when as nudity increase it speed smoothly, "Including being a sentence with this part of speech, had you said including. I need you."

"It's only a cough drop. I wanted to kiss you and don't like menthol or peppermint."

"A coughdrop?", her tone being that of suprise. "I wouldn't have thought of that. You talked me into it."

YouTube Video

Inga's Veil, Evening, erotic novel, film poem page four

Inga's Veil, Evening erotic novel, film poem revision copyright

Go to page: Inga's Veil, Evening erotic novel, film poem page five

-------------
You requested this notification from Google Sites. You can unsubscribe at any time.
Don't want to get notification of your own changes? Change your settings.

--
http://sites.google.com/site/scottlorderoticnovel/home

Scott Lord

Scott Lord

Scott Lord

Fwd: [scottlordnovel] Inga's Veil, Evening, erotic novel, film poem page six was updated

2011-03-16T03:33:00.000-07:00

---------- Forwarded message ----------
From: scottlordnovel <noreply@google.com>
Date: Wed, Mar 16, 2011 at 6:30 AM
Subject: [scottlordnovel] Inga's Veil, Evening, erotic novel, film poem page six was updated
To: scottlordnovelist@gmail.com

Scott Lord updated the page Inga's Veil, Evening, erotic novel, film poem page six. View the changes below.

Color key: Insertion | Deletion

It had been when she had first brought him to a different area of the city, then new to him, where it kept him alert and things where fresh. She reflected momentarily to a trick that he had had of sucking her upper lip while kissing her when they first met, which was designed to cause her to think of a variation of tongue movement a during cunnilingus when he occaisionly, unexpectedly would near the clitoris and shift his movement from his tongue to his lips and draw in, sucking slowly before returning to the varying speeds of his tongue. For some reason during their relationship it became less frequent, as had some of their familiar repeated dialouge from that time period and those months of finding new parts of the city together, as though it were left open only to when they would reminisce; she often would abandon things sentimentally and go on on to new aspects of them, it only serving to deepen and make more intricate how they looked at each other. She thought back to her having mentioned that she had an errand to run and asked if while they were there they could look for new stores that were known to be in that area, her having said that it was only a whim, his then having replied that he would rather try, then while it was still available to the both of them, should they later remember the afternoon as having been irreclaimable.

The camera cuts to a flashfoward over the shoulder nude medium full shot that belongs to a series of shots later in the sequence that, had the entire series been kept in the film, as edited chronologically, would have allowed for a similar closer angle with or without a second angle filmed from an oblique angle accompanying it. The director has begun playing the game of improvisation with the actress. It is an oblique angle that she at this juncture of events in the proper continuity of the film is unaware of, and yet he has conceded the over the shoulder shot to the viewer. Perhaps to record the the movement of her body from an angle unknown to the screen in that particular interior light, it is that he will have divulged to her that he is the director looking at her as an actress from that oblique angle, now a new angle, his using the camera to instruct her acting.

It is uncertain as to whether or not she has turned off the lamp during the interim, the interpolated shot being filmed over the shoulder and showing from the bend of her knees upward, althought the lamp is near enough to the wall for ther to be bounce light. The shot is of moderated legnth, her footsteps moderately soft, her stride nearly slow. During the shot, or toward the end of the shot transversing the cut to a closer angle which would have been kept in the film, there would have been a voice over narrative in the present tense of her quoting him, her nearly whispering, "When he said, 'I would have liked to have talked with you.", it seeming as though summary of what had significance to her.

The shot particularly shows , given how early it is in the film her shoulders in comparision to her arms, the left and right curve in comparision to their legnth, one being down to her side and the other bent at the elbow, it carrying a flower that had been left in the vase in the bedroom for breakfast, her placing it on the dresser rather than the night table. As she hesitantly borught the flower to her mouth, perhaps nearer to her cheek, the camera tracks to a lower angle.

It is not only her relationship with the camera with which the director has been playing a game of improvisation whith the actress and what she may contribute to the script without knowing the decisions available to him, and what he can learn about her personally and or as an actress that could lead to his filming differently, but also, in addition to his countering each of her emotions in any particular instance of them with it being that he is creating a fictional character and can confront her with any change in the screenplay, any postion her body may take, but he has also begun any transformation of beliefs or ideas that accompany transformation of character, his noting any difference of how the role can be played and how her personal emotion could be drain and dredged up to deepen his script, if it is only her range of emotion and insight being different at the end of the film than from what it had been at the beginning in particular his observance of the actresses response to what transpires and the character recreated repetitiously with each scene of the film, her beginning a matrix of possible nuances yet to be experienced by the actress, to where she might add a subtle facial expression or guesture to the script while filming that had been previously unknow to the director as screenwriter, on only brought to the screen through his sense of timing.

He had begun the game of making love to his actress visually.

The film cuts back to the previous shot of her nude stomach.

In that the light doesn't change during the shot, any slight difference is left to the intershot relationships of varying camera angle and subject positions, the reintegrations of space gradually bringing light into leitmotif as camera movement acquires the metaphorical, particularly in it being that she is aware of his look although it is still before what will either be his arrival or their meeting each other as some specified location; her body and the objects she passes, the objects within her view, objects she only briefly glances toward are integrated, as is a versimilitude of their spatial proximities and clarifying qualities, into the narrative frame; that shadow itself is spatial movement as the camera decides when to cut, possibly on her eyeline or on her action- her nudity functions as a symbol only insomuch as the actress has not yet entirely disclosed her relationship to the act of desire to the viewer, her account of pleasure inscribed within the poetic sequence while the tone of the scene is created, while the tonalities of the film are developed into being interwoven, often as though plangent.

Her movement within the frame is horizontal as she is spinning into three quarter profile and yet she is moving slower than the camera. Her midriff that he had kissed while making love to her, her midriff that he had kissed during her taking a shower, becomes a background as only her fingertips appear in the frame, pictorially displaying the depth tightly yet metaphorically as a reference to to a unison of solitudes within the context of a concrete image, it is an enunciation of the solipstic, his having a corporeal being that eschews being her desire for the aethetic object for its own sake, but as need to be desired by it, if not as though within its ownership while beheld, a fantasy to heighten, prolong and reinitiate, as to recontact pleasure as experiential, possibly untill making love into fantasies that were unknown, after being found later as included in the film as possible sonnet sequence.

Her thoughts went to when she, on his left acknowledged his looking at her eyes, "I found your bookmark, I didn't know that you were reading it. I'm only to the fifth chapter." Looking toward him, only lowering her head alittle, she had replied that she had used only enough time to slowly cover the first two chapters, hoping to inflect that she liked how he had tried to imply that he had never really before seen two bookmarks in the same book, that he hadn't thought of it and liked the idea that she had. From her being on her right her thoughts would move to his somehow later being behind her, and yet on-screen, the speed of the camera movement slows down and approaches hers, although the difference had only been slight, and it follows her in to being what would be turning toward his were they in they same room.